Monday, October 27, 2014
Review: Dead Earth Politics, "The Queen of Steel"
If you know anything about me at all, then you know the title of the lead track on this three-song EP from Austin-based metal band Dead Earth Politics is going to immediately get my attention.
The three tunes here, though, do more than pique my interest. They hold it from start to finish and leave me wishing for more.
There’s an interesting blend of metal sounds in these songs, and that starts with that opening tune. The first riff that guitarist Tim Driscoll throws at us on “Redneck Dragonslayer” is rooted deeply in New Wave of British Heavy Metal. It reminds me, perhaps, of something from the Paul Dianno era of Iron Maiden. Then vocalist Ven Scott starts to roar, and it takes a turn.
Saturday, October 25, 2014
Saturday Shuffle: Hank Jr., Sturgill Simpson, Dash, Lillian, Ratt
We start this week's installment with a little redneck noise, take a trip through Louisiana, and end up in L.A. ...
Hank Jr., “Attitude Adjustment.” From the album Major Moves (1984). There was always this mix of hell-raising country rebel and goofy fun in Hank Jr.’s older work. This tune, about a guy who can’t learn his lesson, definitely fell in the latter category. It’s silly, but much more likeable than some of the humor songs that came later.
Thursday, October 23, 2014
Review: "Nashville Outlaws: A Tribute to Motley Crue"
I remember the early days of the tribute album. One of the first, and one that helped launch the format, was 1994’s Kiss, My Ass. (Yes, I know the original title didn’t have a comma in it, but I fixed it for them.)
Among other “gems,” it included a Garth Brooks cover of “Hard Luck Woman” (surprisingly one of the better tunes there) and a sleepy (yes, sleepy) cover of “Rock and Roll All Nite” by Toad the Wet Sprocket. For many years, that album stood, in my mind, as the worst example of a tribute album, and I thought it would always hold the crown.
How could I have known, 20 years later, that Nashville Outlaws: A Tribute to Motley Crue would be unleashed on an unsuspecting world?
Among other “gems,” it included a Garth Brooks cover of “Hard Luck Woman” (surprisingly one of the better tunes there) and a sleepy (yes, sleepy) cover of “Rock and Roll All Nite” by Toad the Wet Sprocket. For many years, that album stood, in my mind, as the worst example of a tribute album, and I thought it would always hold the crown.
How could I have known, 20 years later, that Nashville Outlaws: A Tribute to Motley Crue would be unleashed on an unsuspecting world?
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